[167] a most excellent equality of virtues, better than any rivalry, an equality of labour with a natural good condition of body, and an equality of art with self-instructed nature, so that both of them are able to carry off equal prizes of virtue; as if the arts of painting and statuary were not only able, as they are at present, to make representations devoid of motion or animation, but were able also to invest the objects which they paint or form with motion and life; for in that case the arts which were previously imitative of the works of nature would appear now to have become the natures themselves.